Paradox of Praxis 1 (1997) is the record of an action carried out under the rubric of “sometimes making something leads to nothing.” 　　For more than nine hours, Alÿs pushed a block of ice through the streets of Mexico City until it completely melted. And so for hour after hour he struggled with the quintessentially Minimal rectangular block until finally it was reduced to no more than an ice cube suitable for a whisky on the rocks, so small that he could casually kick it along the street. 　　The art of Francis Alÿs is a reflection of political realities. On the same streets, thousands of locals spend their days pushing, carrying or towing wares or chattels. The results are the same: nothing to show for all the hard work. 　　But Alÿs does have something to show for it, a five minute film. And in a work called Ambulantes I and II, he also gives the street traders and removal men their due. Physical labour has given rise to art, if not profit, but what good is that to people who earn a living by the sweat of their brow? 　　The piece is called Paradox of Praxis I (Sometimes Doing Something Leads To Nothing), as if Alÿs were making a point about the futility of art. And yet this is not merely art about art. The routines of manual workers are just as much of a praxis and must at most times feel just as paradoxical.

Homicide detective Sean Nault is a cop on a parallel Earth whose technology is powered exclusively by magic. Sean investigates a baffling series of murders committed by a means he's never seen before: science. With the aid of Lenoir, a member of the ridiculed subculture of "pragmatists" who believe science is more than the stuff of myths & children's stories, and the 130-year-old sorcerer Winston Churchill, Sean uncovers an ominous plot that will lead him to another dimension and the realization that, unless he prevents it, both earths could well be destroyed.

Japanese horror anthology from 1984.

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Mary has a problem. And it’s right in front of her. It’s in front of everyone else too, only they haven’t recognized it yet.

When Kyle Paige encounters an issue that leaves him with no choice but to return home, he must confront his estranged father of 11 years.

In the 1980's, inflexible model student Kyung-Min (Kim Jung-Hak) joins a group that leads the student movement. In the group, he meets Soo-Jung (Ahn Mi-Na) and he falls in love with her. Kyung-Min becomes a fighter and has conflicts with his academic rival Yong-Ho (Jung Wook), who is in the center of the student movement.

In the 1980's, inflexible model student Kyung-Min (Kim Jung-Hak) joins a group that leads the student movement. In the group, he meets Soo-Jung (Ahn Mi-Na) and he falls in love with her. Kyung-Min becomes a fighter and has conflicts with his academic rival Yong-Ho (Jung Wook), who is in the center of the student movement.